A Wedding in the Year of Manmatha

Wedding of Amma and Appa
Wedding of Amma and Appa

The year 1955, was the year named Manmatha, for the God of Love in our pantheon. Sixty years have passed, each with its own name, and now in 2015, we begin again, with The year named Manmatha.
It was a good year to be married in, and now it’s a good year to remember the person you married 60 years ago, and lived with, for 57 years.
As their wedding anniversary dawns on July 20, I asked Appa why his parents ( Ramabrahma Tatha and Venkamma Paati) are not to be seen in any of the 10 photographs . ” it was taken by Thambi Mama” he explained. That would be Amma’s eldest brother, M Venkatakrishnan, known as Thambi . I remember Thambi Mama, the bachelor uncle, chartered accountant who was well known in the Madras music and dance circle, for encouraging young artistes who needed an introduction into the Sabha circuit , and taking them under his wing.

Appa then said, ” may be you shouldn’t post the reception photo, don’t we look funny sitting far apart, almost hugging our corners of the two-seater”

Too late, I responded, we have already shared all the photos last year, and told the story of your wedding , of which I’m very proud.
All right then, make sure you highlight that we were married in Manmatha Samvatsara and it is Manmatha Samvatsara again this year, he said.
Yes, and also it was the year of the movie Mr and Mrs. 55, I promised.
Two people I know as Appa and Amma, have something between them ( other than the three kids) that only they can define – as love, as life. Mother was always talking – there was humor, annoyance , intolerance, gentle ribbing that actually hid a deeper anger at some imagined hurt or slight, devilish glee in harassing the spouse with small demands that were not really small. Father was the quiet one, who got his way with his silence, whose simplicity and seemingly undemanding nature were the bane of her existence. Don’t we know that last bit- he currently annoys the niece, his only grandchild, with his daily morning order for coffee- chooda irukakkanum, full-a irukakkanum . Hot, and full cup. When it’s cloudy with a chance of leftovers for dinner, he’ll quietly say ” I’ll have just one chapati” you feel guilty, and rustle up an onion-tomato dish-dash, and bingo, three chapatis disappear so fast, and I get a pat for making divine chapatis just like Amma made!

Now we recognize that Amma’s little outbursts were nothing but love’s little liberties, born of long years of sharing , well , everything.
Here follows the little piece written last year, about being how Amma and Appa were wed-
July 20, 1955:- the wedding of Thulasi and Sheshagiri was celebrated at the grand residence of Mamidipudi Ramakrishnaiah and Indira, at Nellore. This evening, the eve of their 59th anniversary, my father , who is a youthful 91, told me that on July 18, 1955, when the groom’s family had arrived, and the bride’s home was abuzz with wedding-related rituals, and the house was beginning to look like it was in Malgudi instead of Nellore, an elder know-all pointed out that the next day, the wedding eve when the groom is welcomed was going to be a day of Amavasya. No one had thought of this, and there was momentary consternation. But soon enough , someone (else?) suggested that the ritual could begin on 18th, and that’s exactly how it was done. Thanks to Amavasya, another day of wedding revelry came to be enjoyed by everyone!
Our mother, The bride of the day 59 years ago, is in Amma Heaven . Has been for two-and-a-half years. Here absence has become a presence, and she talks to us in everything we do. Appa and I have pored over these photographs, and he remembers little nuggets about the wedding . His cousin Baba travelled with him from Madras I remember him telling us when Amma died, about what Grandfather Ramabrahma had said of the bride chosen for Sheshagiri- he had got the most beautiful one of the seven daughters of Ramakrishnaiah.
How simple,and yet grand, a wedding could be in those days! It’s just not fair that we never get to be at our parents’ wedding. I notice my mother’s bare feet at the reception, and how e bride and groom are seated as far away from each other as the two-seater permits! No visits to the beauty parlor, no make-up!! A special blouse with with Jalebi Neck in pink, and a maroon Kanjeevaram with gold border is what she is wearing in the photograph clicked by GG Welling. They went again to Welling twenty odd years later to have another picture taken for Dad’s pension purposes.
I remember playing wedding games , with Amma looking indulgently, and telling me the bride must sit with left leg folded up, and the left arm around it, and that’s what, I thought it took to be a bride!
Amma often laughingly told me about how the daughters of Ramakrishnaiah learnt of their impending marriage – suddenly, the house would begin to buzz with activity. The head cook of a party of wedding cooks would make several visits, a priest who conducted weddings would go into a huddle with the grandparents. A set of. Imposing parents would arrive, and after they left, wedding preparations would begin. The oldest un married daughter would soon realize her turn had come to leave her parental home. The bride and groom would probably get to throw furtive, glances at each other .
Father it turns out, had seen his future wife much before their marriage was decided by the elders. At the wedding of his cousin in Madras, he was a dapper 21-year-old when he first saw her, a seven-year-old, running around in a little pavadai and blouse, with no idea whatsoever that she would wed this man 11 years later. She probably had no idea he was even there at that wedding, nor interested ! Glad to know she did marry him, for if not , this tale would never be written!

 

EOM

 

 

 

I Want My Mother!

Gulab jamuns - I made them!
Gulab jamuns – I made them!

Two years already, since she moved on .  I’ve been old enough  for long enough to know you’re  never too old to want your mother when you don’t feel good. But in these two  years of  not being able to pick up the phone and call her, demanding the recipe for  Witches’ Brew, aka milagu kozhambu,  I’ve learnt  I’m  never going to be too old to want my mother when I’m feeling good.

But she has taught me well.  In the beginning they were 14, Seven brothers and seven sisters. Mother was the ninth child. And she always said 9 was her lucky number. She was born on a 9th. Exactly how this number worked for her is a mystery to all of us, but mostly it was enough that she thought so, and it was cited at all momentous occasions and one birthday, it did save the Big Brother from mother’s wrath  for forgetting to send her a card .When he remembered, it was too late to go out and buy one, so he fashioned a greeting card out of KG cardboard (Why is it called KG cardboard?) yellow, drew a little cuboid and a big cuboid, and a sun , and called his work of art “Mother and Child In Sunshine, and inside wrote out  this little mathematical formula-  1-9-1979

1+9+1+9+7+9= 36

3+6=9

Therefore, it’s a lucky year (QED)

Mother walked on air for several days, and showed it everyone,  and blamed the delay in its arrival on the Postal Department.

I digress. Mother told me stories about her 13 siblings , their spouses and the grandparents, and  her cousins., of whom there were, well, dozens. Growing up in Nellore, in the big house,  under the  gimlet eye of the grandfather, who wasn’t really as fearsome as he looked. It must have been magical and wondrous, like Mayabazar, with Grandmother  , the queen of the kitchen, where all the pots and pans were  king-size,  and  the coffee-filter made of brass  looked like it had been made for the Kaurava  household!    Grandfather’s clients and friends  were brought home for lunch without notice, but Grandmother could never be caught off-guard. She always came through, and Mother and her sisters served the guests sumptuous meals  and   super coffee.

The grandparents were both devout. In the large puja room dominated by the ornate mandasanam  (which now resides in A-5,) and the  24′ high idol of Hanuman standing with folded hands, I’m quite certain  Rama came down in person to receive  the puja and naivedhyam..Grandfather , who  radiated awesome authority with his great height and commanding presence,  could send his dozen offspring scurrying across the expanse of the hall and the inner courtyard  by merely walking in through the front door. He was addicted to the Ramayana,  giving lectures about it and explaining its wonders to friends and colleagues at the club where he played bridge, and every year the Ramanavami was celebrated grandly, over  ten days.  His daily pujas were no less elaborate.  His addiction  , ultimately led him to write the story down, in Telugu, and thanks to the book, I now have his wise counsel and  humorous observations about the epic, and about life, in general, and I have a sense of what kind of  man he had been.

Grandmother’s  domain was the Thulasi kotai, which too was extra large size. Though I barely remember Grandfather, I have memories of  Grandmother’s daily routine of  readying the puja room for  him, and then going into the backyard  with her little brass basket , to pick flowers and wash the  Thulasi (which happens to be my mother’s name)  mukham – which too now resides  in A-5,  sprinkle water around the kotai,  draw kolams, rub turmeric and kumkum along the corners, and  do the puja , reciting various shlokas. I remember begging to be allowed to handle the basket, and pick flowers and  be Grandmother’s little helper.

While I made my own memories. Mother added to the repertoire with many anecdotes, and  titbits about life with 13 siblings, and the consequence was that by the time i was ten, I felt I knew all of them very well, though it wasn’t often that I met them.

I had this thing about not finding mother at home when I came from school. I always  checked for her slippes, and if they were missing, I was quite put out. Of course, there were days when  events at schools warranted the hope that they would not be there, but that’s beside the point.

Somedays, I would find a strange pair of shoes or more .  That meant visitors.  An uncle come from Madras on work . And once I knew who it was. I  could guess what we were having for dinner. Kandipappu chintapandu pachadi ,  if it was AVN Chittappa. (  the husband of Rohini, my mom’s youngest sister)  He’s a lawyer, and in the 70s used to take a great many cases in Bangalore, which meant he came down often.  The aroma of minimula pachadi  meant Bheemu Chittappa ( my aunt Janaki’s huband) had arrived/was coming over.  When Kittu (her immediate elder brother) mixed hot rice, oil and avakkai,  you wanted to grab the plate and wolf down the whole thing yourself! – something i have witnessed for myself.

Dasharathram Mama, (her second older brother, right after Thambi Mama) loved the masala dosa that Mother made, and  never tired of telling everyone that he discovered bisi bele baath  thanks to her.  Lakshmi Periamma’s name was given to a koottu that she had learnt to make from her elder sister.

Not being a great fan of sweets, I mean, I can honestly say I never get a craving for sweets, although I relish a  gulab jamun , and the occasional paal payasam provided it’s made by my mother– doesn’t mean that I don’t miss the divine kozhakattais (kharam and sweet) that she used to make.

I’ve been thinking lately about  this I-want-my-mother thing.  Now,  what did she do when she had that moment? And how many of them were caused by me?  I  cringe with guilt about the time a few years ago, when I rejected the gulab jamuns she made for my birthday . I  mean,  who’d ever think Mother’s GJs could be anything but divine? Can an MS concert be a complete washout?

I told her exactly what i’d thought of the GJs, which didn’t smell quite right, and the  sugar had not really reached the centre of the golden-brown orb of  delight. they weren’t even  golden brown orbs of delight. Thye were crumbly, misshapen. They were like I’d made them.

She took it quite lightly, I think.    I made up for it later, by getting her a bottle of eau de cologne, something that she always loved to have around her, not that she ever used it.

Last year, I made kozhakattai for Ganesha Chaturthi. They came out perfectly, and I believe it was really her hand that did it.  And when I make akki rotti, or adai, I make five little holes, one in the middle, and 4 around it, just like I remember her doing it.  On the 9th, I made  cluster beans pindimiryam, it smelled like Amma’s.

Oh! I finally made gulab jamuns. They were awesome. They were like Mother’s.  Golden brown orbs of delight, sloshing about in the sugar syrup, smelling of rose essence and cardomom. Not crumbly or doughy. Of course, Mother was there. She’s always there, even when I’m feeling good. Next time I find those green brinjals at the Korean store, I’m getting abunch of them to make sambhar. Whenever she returned from a trip to Nellore, or Madras, she liked arrive  home to a lunch of brinjal sambhar  and rice. She’ll love that. She always did. And she never complained about it’s taste, or color, or consistency.